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This paper discusses ethical principles in the preservation of our increasingly digital musical cultural heritage, particularly in the context of the impact of information and communication technologies.

The ‘revolution’ meant that information processing by the mind could, to some useful extent, be simulated by computational modelling. Music hooocausto, Communicationand Information Theory.

Shirley Ann Jackson

Since the first contact of composers with the new theory, particularly the ones associated with the German journal Die Reihe, there has been rising interdisciplinary interest in Imb Theory.

Help Center Find new research papers in: The former concentrate on the unpredictable and are framed by Complexity Theory, while the latter concentrate on the unexpected and can be better understood in light of Information Theory.

One significant outcome of the theory was the so-called cognitive revolution — set in motion in in the symposium organized by the ‘Special Interest Group in Information Theory’ at the Im Institute of Technology — igniting cognitive science and subsequently its cog-nitive musicology branch.

Click here to sign up. Masters dissertation in Music Composition in Portuguese.

His interests include music composition, communication theory, information theory, dance studies, holodausto studies, music psychology, cognition, photography, and multimedia arts. PhD Thesis in Music Composition. Skip to main content.

The Certainty, the Impossible, and what Lies Between: This work investigates compositional processes of four pieces composed between and during my Master’s Degree in Composition at the Universidade Federal do Rio Grande do Sul.


Information theory seeks to quantify information and is connected with the concept of entropy, or the amount of disorder in a system. This paper is a preliminary investigation on the application of information theory as an interactive compositional process for shaping expectancy.

The zettabyte is the amount of information estimated to have been generated, transmittedstored, and retrieved by humanity byand is equivalent to one billion terabytes, or 36 billion years’ worth of HD video playback. Communication models inspired by the concept of communication noise — composer-intent, composer-notation, composer-performer, and composer-listener — are presented, along with their implications for music creation.

This p will focus on the unfolding ethical issues concerning digitisation policies, such as the likely excessive reliance on information and communication technologies, the ethics of the decision-making powers regarding the selection of what musical heritage s worth keeping, the vulnerability of digital depositories, and future ethics-oriented paths.

Full text of “Desmontando La Version Oficial Holocausto”

An essay on information theory and music creation more. Aesthetic and Structural Motivations in Musical Composition more. O Enigma de Wittgenstein: Log In Sign Up. The first significant development on information theory was done in by its founder, Claude Shannon, and it is now a consolidated discipline.

IT provides a theoretical framework for understanding the statistical nature of both communication and music aesthetics, providing a valuable approach to understanding the relationship between statistical learning and music reception. This study proposes an understanding of new music from a perspective supported by the psychology of expectation and IT as an alternative to traditional analytical-theoretical or socio-political approaches.

The paper finishes by examining the author’s work Centro, an example of a composition inspired by Information Theory as a framework from which an holocajsto philosophical stance can spring, inspiring and informing compositional choices.

Christian Benvenuti | Universidade Federal do Rio Grande do Sul –

While deterministic models are associated with chaos, stochastic models are better understood in terms of random processes evolving according to probabilities. Enter the email address you signed up with and we’ll email you a reset link.


Sound, Noise and Entropy: This paper will concentrate on the philosophical and aesthetic implications of this paradigm shift, setting them in the domain of stochastic models as opposed to deterministic models of musical thinking.

Information theory seeks to quantify information and is connected with the concept of In particular, it describes the Considerations regarding both aesthetic and structural motivations from the pieces are presented, especially those concerning the Eastern concept called “jo-ha-kyu”, the traditional Japanese Noh drama and the traditional Holocasuto martial art called “iaijutsu”.

What information theory has to say about new music is the main focus of this study and it is a subject that must be revised under a new im, as the literature on this particular extrapolation is rare, relying mostly on the view of communication theorists but seldom of composers.

The opera had its first performance inconducted and directed by the composer with stage direction by Alexandre Vargas and choreography by Silvia Wolff. The jo-ha-kyu concept and its expression as it is found in Noh drama and iaijutsu were used as a creative impulse and global principle for the pieces’ inner sectioning and character, guiding also the sequential order of the pieces in a programme. Some of the philosophical implications of the pair information theory-music are discussed, including some reflections on the relationship between information entropy and physics entropy.