FANTASIAS DE TELEMANN PDF
Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.
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He exploits the character and the possibilities of each key, telfmann more chords in the home keys—G, D, C and so on—and employing a more melodic style in those more remote keys. Telemann’s violin fantasias exhibit mastery of not only compound melodic lines, but also of idiomatic writing for violin,  as Telemann himself was a self-taught violinist.
12 Fantasias for Viol without Bass, TWV 40:26-37 (Telemann, Georg Philipp)
Another was proposed by scholar Wolfgang Hirschmann—there are four modal groups of three fantasias: In other projects Wikimedia Commons. Creative Commons Attribution Share Alike 3.
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It was developed from the vihuela, an ancestor also of the guitar, in Spain in the last part of fifteenth century, and came to Italy in with the election of the second of teemann Borgia popes, Alexander VI.
Perhaps he already had Jean-Baptiste Antoine Forqueray in mind when composing these fantasies?
If so, the copyright claim is bogus as simple transposition completely fails to meet the threshold of originality required to qualify as a derivative work or adaptation. Genre Categories Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet. Barenreiter Verlag Composer Time Period Comp. Fantasia 8, 1st mouvement m. It is one of Telemann’s collections of music for unaccompanied instruments, the others ffantasias twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in —33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city inbut were considered lost until a copy of the print was found in a private collection in by viola da gamba player telwmann musicologist Thomas Fritzsch.
This page was last edited on 9 Novemberat Telemann has a reputation—and an oddly negative one—for being almost pathologically prolific. Much of the music reveals the influence of Italian sonatas and concertos, but the typical tendency of German solo violin music to rely on polyphony is still present: While the first two sets of solo fantasias were known and reprinted several times, the set for viol was lost.
12 Fantasias for Solo Flute (Telemann) – Wikipedia
So this tells us that there were many extremely competent amateur viol players in the German-speaking world and beyond. Views Read Edit View history.
His facility in writing idiomatic instrumental music for almost all instruments then in use was legendary, and we can hear that clearly in his writing for the viol in these fantasias.
Hyperion offers both CDs, and downloads in a number of formats. This appears to be a mere transposition. Emmanuel Pahudflute . It is remarkable that the solo bass viol, already having such a large repertory without mentioning the chamber music or the consort music finds itself enriched even more with a large body of important and excellent works by a leading composer of the high baroque. The title page of the publication is in French, and the dedication suggests that Telemann thought of these works as in the French style, and his love of French music was to lead to his visit to Paris a few years later.
Between andhe issued no fewer than 43 publications. July Total duration: Creative Commons Attribution-NonCommercial 4.
Introduction English The viola da gamba is a most remarkable instrument: